Twelve Years a Slave

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12 Years A Slave

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Django Unchained Drama Western. Shutter Island Mystery Thriller. Birdman or The Unexpected Virtue of Ignorance Comedy Drama. Gone Girl Drama Mystery Thriller. Edit Cast Cast overview, first billed only: Chiwetel Ejiofor Solomon Northup Dwight Henry Uncle Abram Dickie Gravois Overseer Bryan Batt Judge Turner Ashley Dyke Anna Kelsey Scott Margaret Northup Cameron Zeigler Alonzo Northup Tony Bentley Moon Scoot McNairy Brown Taran Killam Hamilton Christopher Berry Burch Bill Camp Radburn Mister Mackey Jr.

Randall Chris Chalk Edit Storyline Based on an incredible true story of one man's fight for survival and freedom. Taglines: The extraordinary true story of Solomon Northup. Language: English. Runtime: min. Color: Color. Edit Did You Know? Goofs In the opening shots, a violin is being played and tuned.

The light passes completely through the strings revealing they are not made of any natural product or twining, but plastic or nylon.

Quotes [ first lines ] Overseer : Alright now, y'all fresh niggers. Y'all gonna be in the cuttin' gang. Q: Were Solomon's kidnappers ever brought to justice? He returned to New York and reunited with his family there. My narrative is at an end. I have no comments to make upon the subject of Slavery. Those who read this book may form their own opinions of the " peculiar institution. This is no fiction, no exaggeration. If I have failed in anything, it has been in presenting to the reader too prominently the bright side of the picture. I doubt not hundreds have been as unfortunate as myself; that hundreds of free citizens have been kidnapped and sold into slavery, and are at this moment wearing out their lives on plantations in Texas and Louisiana.

But I forbear. Chastened and subdued in spirit by the sufferings I have borne, and thankful to that good Being through whose mercy I have been restored to happiness and liberty, I hope henceforward to lead an upright though lowly life, and rest at last in the church yard where my father sleeps. Questions were often raised about accuracy or authenticity of books about slavery, including slave narratives.

Stowe's book was published a year before Northup's memoir but by the time she published her rebuttal to critics about accuracy, in her Key , she referred to his story, which had been publicized in newspaper accounts. Stowe wrote,. It is a singular coincidence that this man was carried to a plantation in the Red River country, that same region where the scene of Tom's captivity was laid; and his account of this plantation, his mode of life there, and some incidents which he describes, form a striking parallel to that history.

Northup's account confirms Stowe's fictional portrayal of conditions in Louisiana, as the area where Northup was enslaved was close to the fictional setting of Simon Legree's plantation on the Red River. Northup expresses other arguments against slavery. For instance, Uncle Tom's Cabin focuses on how the legal system prevents even kind owners from treating slaves well and how it releases cruel owners from liabilities for their treatment of slaves. Such themes appear in Northup's narrative, too. Writing about this work, Eric Herschtal noted that "Slave narratives were never intended to give an unbiased view.

They were antislavery polemics meant to bring down the institution. Herschtal emphasizes that Northup expressed compassion in his account, quoting him: "It is not the fault of the slaveholder that he is cruel," Northup writes, "so much as it is the fault of the system under which he lives.

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It drew endorsements from major Northern newspapers, anti-slavery organizations, and evangelical groups. It "sold three times as many copies as Frederick Douglass's slave narrative in its first two years. Northup's account describes the daily life of slaves at Bayou Boeuf in Louisiana, their diet and living conditions, the relationship between master and slave, and the means that slave catchers used to recapture runaways.

His account shares some details similar to those of authors who were escaped slaves, such as Frederick Douglass , Harriet Ann Jacobs , and William Wells Brown. However, Northup was unique in documenting his being kidnapped as a free man from the North and sold into slavery.

12 Years a Slave True Story - Real Solomon Northup, Edwin Epps

His perspective was always to compare what he saw to what he knew before while living as a free man in a free state. While there were hundreds of such kidnappings, he was among the few persons who gained freedom again. Early and mid-twentieth century historians of slavery, Kenneth Stampp , Stanley Elkins , and Ulrich Bonnell Phillips , endorsed the historical accuracy of the book. Eakin and Logsdon in , wrote: "In the last analysis, [the] narrative deserves to be believed, not simply because [Northup] seems to be talking reasonably, not merely because he adorns his tale with compelling and persuasive details.

At every point where materials exist for checking his account, it can be verified.

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While Twelve Years a Slave is the best-known example of someone who was kidnapped and later freed — albeit through extraordinary efforts — historians have begun to research and present other cases. Most of the known court cases of freedom suits related to kidnapping victims were filed in New Orleans, although some were in border states such as Missouri.

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One such suit took place in Tuscaloosa, Alabama , where Cornelius Sinclair , a free black man from Philadelphia, Pennsylvania , had been sold after being kidnapped in August and transported South with some younger free blacks. He was freed in by a unanimous verdict of an all-white jury.

After additional printings in the 19th century, the book went out of print until , [6] when historians Joseph Logsdon and Sue Eakin restored it to prominence. Eakin discovered the story as a child growing up in Louisiana plantation country—the owner of a first edition showed her the book, after finding it in a former plantation home. Years later, Logsdon had a student from an old Louisiana family who brought a copy of the original book to class; her family had owned it for more than a century.

Together Logsdon and Eakin studied Northup's account, documenting it through the slave sales records of Washington, D. They found his father's freeman's decree, and the case files for the legal work that restored Northup's freedom and prosecuted his abductors. In , Eakin and Logsdon's thoroughly annotated edition of the original book was published by Louisiana State University Press, shedding new light on Northup's account and establishing its historic significance.

Filming that scene, McQueen seems not to know what to do at all; his technique seems to vanish into the ordinariness—the ordinary decency, outraged and horrified to the edge of madness—of his emotions. And the two movies have no significant aesthetic similarity—Lanzmann is not a virtual presence in his film but, rather, an on-screen participant who assumes the moral burden of the historical subject.

The differences between the films and between their subjects make their point of congruence all the more noteworthy. For both directors, the personal engagement of empathy, the moral tuning of the inner ear to the secret messages of souls in despair, is a paramount artistic—and political—virtue.



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