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BM: The movie The Crow was a big influence on me in general. Batman, of course, because he has that mysterious brooding superhero vibe without having super powers.
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Crimson is a favorite of mine as well, and Humberto Ramos is hands down my favorite artist drawing comics right now. BM: Well Brent is my brother-in-law, and we have been writing stuff together for years. We wrote and produced a cheap zombie film together a few years ago and that really kicked it off. We started writing scripts together and even developed an animated series pitch. I had the idea for Vitriol on tour and started jotting ideas down as a proposed video game.
Luckily Brent and I work really well together in that sense.
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We can sit and brainstorm ideas or bounce emails back and forth. He literally can understand all my ramblings and turn it around into a great script the next day. Brent likes more slasher-horror and futuristic sci-fi, whereas I like the more supernatural monster horror and creature-based fantasy stories. BM: As a writer, Brent is really into giving every character a very believable story.
BM: Barthus was basically a lab rat for the government.
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In this story arc Barthus realizes that the only reason the city is still intact is because he only rules the night. If the vampires could rule the daylight hours, he could achieve his world domination goal. TFAW: What do you think is going to surprise readers the most about this comic?
BM: I grew up drawing Disney characters, so naturally I have an animated quality to my drawing. Usually, horror-themed books are very serious looking and gritty and realistic, whereas this book has a serious tone in the story, but a very stylized look to it. BM: The best part has been watching myself grow as an artist.
When you draw for fun, you draw what comes easy and you never think about drawing a character in a boring pose. Looking through the books I really think you will see the art gradually taking a step up from book to book. BM: The biggest challenge has been time! I started this project four years ago.
I am very grateful that I can do music and art, because I love both so much.
Very quickly IDW realized that I could not make a monthly book deadline. I brought my art supplies with me and I was working every minute I could, backstage, in hotel rooms, on airplanes. On top of that I wanted to combine my art and my music, and I created a six song instrumental soundtrack to accompany the book.