A History of German Literature

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The consequence is the fracturing of the received canon into a kaleidoscope of magical moments As an editorial achievement, this volume sets uniformly high and innovative standards. William Waters - Literary Imagination.

HISTORY OF IDEAS - Romanticism

Harvard's New History of German Literature is an encyclopedic browser of incomparable quality for Germanophiles and Germanophobes alike. In a series of brief, penetrating essays, it retells thirteen centuries of German history through a broad spectrum of literature by both obscure and famous authors.

For modern readers ready to tackle the riddle of modern Germany with real hope of solving it, here is the guide.

German Literature | wisolyvahode.tk

How German is German literature? The New History gives us a fresh and unconventional picture of the main figures and movements of a literature which remained in the church and cloister longer than Italian, French, and English literature, and became revolutionary in the middle of the 18th century. It is very encouraging that in a period of isolationism of culture and society such an ambitious project is possible. This attractive thousand-page volume serves up years of German literary history like tapas.

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A New History of German Literature makes for compulsive browsing, and it will entertain and engage readers from a wide array of backgrounds. All quotations from German are accompanied by translations.

German literature

Each entry comes with a short bibliography listing primary texts, published English translations of the primary texts, and a few choice items of scholarship The book is comprehensively indexed. All in all, it's an instructive and delightful feast. Reed - Times Literary Supplement.


  1. Micanopy in Shadow: A Brandy OBannon Mystery;
  2. Origins and Middle Ages;
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  6. Pre-Christian and early Christian periods;
  7. HISTORY OF GERMAN LITERATURE.

An enticing and authoritative review of German literature from its most splendid high points to a most horrible nadir and its aftermath. This book well documents how -- in a remarkable post-war process of moral regeneration -- German literature struggles to come to terms with what happened. This New History of German Literature is simply the best overview of the subject available to the English-speaking reader. Selecting as its stepping-stones not a canon of biographies or a mere literary chronology but key dates chosen with intelligence and originality, it covers a dozen centuries of writings in German, from some of the earliest babblings in the language the charms of Fulda to the last accomplished works of a modern classic W.

How German literature came into the world and where it stands today

Erudite, quirky, vastly informative and hugely entertaining, it makes one wish for a bevy of forthcoming companion volumes. Alberto Manguel, author of Stevenson under the Palm Trees. The range spanned by the essays included in this volume is unusual, both in mere chronological terms and thanks to the diversity of approaches chosen by the authors; the best of scholarship has been made easily accessible even to the non-specialized reader by the contributors themselves and the highly innovative presentation of their texts.

This volume is a brilliant achievement. What is truly extraordinary about this collection of essays is that it succeeds masterfully in distilling the essence of the German literary and intellectual legacy, spanning well over years. Each only several pages long, the essays limn not just the great names, such as Hegel, Kant, Goethe, Beethoven, Freud, and many more but also literary works, themes, historical moments, pieces of music, etc.

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Leading specialists, scholars, and critics offer a wide variety of contributions covering, from the 13th century onward, such varied topics as early German sagas, Nazi cinema, theatrical premiers, and the Yiddish Renaissance. The coverage actually stretches all the way to the 21st century with a single piece, an essay about W. Sebald, who died in Ali Houissa. Compelling reading Brandon Stosuy - Voice Literary Supplement.


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  • A history of German literature.
  • In arguing for German literature vis-. David E. Wellbery is LeRoy T. Judith Ryan is the Robert K. Introduction David E. The revolutionary spirit that animates the culture of the Germans has been alive for at least twelve centuries, far longer than the dramatically fragmented and reshaped political entity known as Germany.

    German culture has been central to Europe, and it has contributed the transforming spirit of Lutheran religion, the technology of printing as a medium of democracy, the soulfulness of Romantic philosophy, the structure of higher education, and the tradition of liberal socialism to the essential character of modern American life. In this book leading scholars and critics capture the spirit of this culture in some original essays on events in German literary history. Rather than offering a single continuous narrative, the entries focus on a particular literary work, an event in the life of an author, a historical moment, a piece of music, a technological invention, even a theatrical or cinematic premiere.

    Together they give the reader a surprisingly unified sense of what it is that has allowed Meister Eckhart, Hildegard of Bingen, Luther, Kant, Goethe, Beethoven, Benjamin, Wittgenstein, Jelinek, and Sebald to provoke and enchant their readers.



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