La borsa del colonnello (Italian Edition)

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He pretends to get drunk and pass out, but at night he frees Mirasol and delivers her to her family, gives them money and tells them to cross the border. Ramon learns that Eastwood is involved. His men torture him for hours, but he does not talk. He manages to escape, crawling because he cannot even stand up, and set fire to the compound of the brothers.

After torturing the saloon owner, the brothers assume that Eastwood must have found shelter at the sheriff's house. Ramon and Miguel set fire to it. When the sheriff's men come out to surrender, they are killed one by one. The sheriff, his son and his wife are the last ones to come out and be coldly executed.

Eastwood watches the scene hiding inside a coffin: the coffin maker has accepted to help him get out of town alive. Eastwood spends days recovering from the wounds and relearning how to shoot. When he is ready, he marches back into town. The saloon owner is being tortured by Ramon in the middle of the street.

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Eastwood advances in his poncho, indifferent to the gun that Ramon is aiming at him. Ramon, who never misses, starts shooting. Every time Eastwood falls to the ground, as if dead, but then gets back on his feet and keeps advancing. Finally, he drops the armor that he was hiding under the poncho. When he draws, it's fatal: all of Ramon's men are killed and Ramon is disarmed.

Ramon tries to get his gun back but Eastwood is faster. The saloon owner saves his life spotting Ramon's younger brother who is about to shoot Eastwood from a window. The town is clean. The saloon owner tells Eastwood to get out of town because the army is on its way. The main differences with Hollywood's western films were the moral ambiguity of the characters there is not clearcut difference between the good and the bad , the Spanish colonial architecture of the border as opposed to forts and pioneer villages , the slow majestic pace, the inscrutable psychology of the hero who remains nameless throughout the film , and a generally sloppy attitude no noble cavalry officers or elegant gentlemen.

Ennio Morricone's atmospheric soundtracks added an oneiric dimension. Il cacciatore di taglie un ex-colonnello arriva al paese sperduto nel deserto un saloon e una stazione e va subito ad affrontare il pericoloso ricercato, che se la sta facendo con una prostituta e lo uccide freddamente senza minimamente scomporsi. Incassa il premio dallo sceriffo e si mette alla caccia di un altro bandito. E se ne va misteriosamente. In un carcere una banda riesce a liberare il feroce, psicotico e drogato bandito sulle cui tracce sono entrambi; questi non esita a vendicarsi di colui che l'ha denunciato incurante della sua famiglia.

Il bandito assolda gli uomini per attaccare il paese. Eastwood e il colonnello si associano. Eastwood accetta il piano del colonnello. Libera un vecchio amico del bandito e glielo riporta per entrare a far parte della banda. Ne sgomina tre in duello, poi segue il resto che va ad attaccare il paese, dove li aspetta il colonnello. Ma i due vengono beffati e la rapina riesce. Eastwood si aggrega di nuovo alla banda e il colonnello si offre come esperto di casseforti. Tentano di fregarli, ma vengono smascherati e i banditi si divertono a picchiarli.

Tradimento di stampo tragedia shakespeariana lui che recita la parte di un Otello e Re Lear. I due intanto massacrano la banda. Poi tornano ad assediare il bandito l'"indio" e il suo compare, che si sono alleati di nuovo.

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Il colonnello e l'assassino di sua sorella si sfidano a duello al suono del carillon che lo sposo aveva appena regalato alla sorella quella stessa sera. Alla fine del ritornello il colonnello fa giustizia. Se ne va lasciando a Eastwood tutti i morti con le loro taglie.

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Eastwood carica tutti sul carretto e parte, ma prima ricade anche la borsa del denaro, che lui aveva sottratto di nascosto. Il sicario a pagamento assoldato da un vecchio fa parlare un uomo per scoprire il nome sotto cui si nasconde un altro, poi liquida l'uomo e suo figlio; poi va dal vecchio; l'uomo cerca di comprare la sua vita con del denaro, ma riscuote la paga e poi lo uccide. Nell'interrogare l'uomo ha scoperto l'esistenza di un tesoro. La scena si ripete in un altro paese. Poi si ritrovano e spartiscono il bottino.

La scena si ripete in un altro paese, dove si trova il brutto; ma questa volta Eastwood lo abbandona nel deserto e se ne va col denaro. Lo sorprende nella camera dell'albergo, mentre si sentono colpi di cannone, lo costringe ad impiccarsi ma un colpo di cannone demolisce la casa e consente a Eastwood di liberarsi.

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Lo ritrova nel deserto e lo costringe a camminare per miglia e miglia sotto il sole cocente. Mentre lui va aprendere l'acqua Eastwood si avvicina al morente e sostiene che gli dice prima di morire il nome della tomba del tesoro. Il brutto deve allora rimetterlo in sesto affidandolo ai frati che stanno curando i feriti dell'esercito sudista. Li fanno fuori in una sparatoria nel villaggio fantasma, ma il cattivo sfugge. I due eserciti si confrontano intorno a un punto che loro devono attraversare per arrivare al tesoro: decidono di farlo saltare, poi fanno a gara a chi arriva prima al cimitero.

I due vanno a scavare nella fossa giusta e questa volta trovano il tesoro. Lento ed estenuante, scontata la trama. In questi trilogia Leone degrada progressivamente il linguaggio hollywoodiano, distillando un puro spettacolo popolare, puntando soprattutto sulla suspense e sulla pirotecnica acrobatica degli scontri a fuoco. Ogni singola inquadratura protratta in maniera estenuante diventa un gesto mitologico. Ogni singolo personaggio viene presentato come se si trattasse di Ulisse in persona.

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Eppure il tono malinconico dell'intero film non potrebbe essere meno "mitico". I tipi del vecchio western non hanno un futuro e, in un certo senso, vogliono morire. Non sono i buoni a vincere, sono i cattivi a perdere. Three bandits enter the office of a station-master wind, silence, the deserto in the background , lock him up, chase the wife and wait. A feather of smoke in the distance announces that the train is coming. A man gets off from the other side of the train and starts playing the harmonica. When the train leaves, the duel erupts: the three bandits are killed, the traveler is only wounded.

A man shoots at the birds, helped by his little son. They return to the farmhouse, where the man's daughter has been preparing a big meal. The man is a widow, he is sure of getting rich and is getting re-married. The bride is traveling on the same train, and his elder son is about to go and meet her at the station. Suddenly, someone starts shooting at the family and kills all of them, except the child.

Five men, led by Frank Henry Fonda , come out of the bushes and face the child. Frank pulls out the gun and shoots the child in cold blood. The bride, Jill, does not find anyone waiting for her at the station and wanders through a picturesque crowd of former black slaves and Indians. She walks to the dusty pioneer town and gets a ride on a carriage from an old man. They ride through the camp of the railway workers, who are laying the railway tracks in the desert, and stop at a saloon.

Outside people die in a shoot out. A convict, still handcuffed, enters the saloon, and sees the man with the harmonica. He uses the harmonica-man's gun to break his handcuffs. His friends his name is Cheyenne come to meet him they are late for the shoot-out and the harmonica-man seems interested in their long coats the same ones that his attackers were wearing. The bride resumes her journey in the old man's carriage and they finally reach the farm, where a funeral service is already being held for the slain family.

Nobody knows why they were killed, but everybody knows who did it: the men with the long coats, the men of Cheyenne. The bride refuses to go back to the village and decides to stay at the farm. In the middle of the night, the harmonica-man tortures a man to find out the truth. He thinks that Cheyenne is innocent of that crime and that Frank did it: that's why Frank was not at the station to meet him in person.

Jill, alone in the farm, is not afraid, even if she knows that someone is still around and she has to wait for sunrise with a gun in her hand. In the morning Cheyenne and his men show up Frank meets the crippled railway tycoon who lives in a luxury train and dreams of reaching the Pacific.

Frank works for him, but the tycoon did not order him to kill the family, only to scare them. Cheyenne does not want to harm Jill, in fact he admires her. Jill is a former prostitute from New Orleans, and Cheyenne is is the son of a whore. Jill has not found any money in the house and is ready to leave, but the harmonica-man shows up in the barn and tells her to stay. They are spied by two groups of men: Frank's men, who attack and are killed by the harmonica-man, and Cheyenne's men, who were ready to intervene but are shocked to see the harmonica-man take care of it himself.

Jill sends Frank a message: she knows he's the killer and wants to "negotiate" with him. By following the messenger, the harmonica-man finds out where Frank hides: the tycoon's train. The harmonica-man climbs on the train of the tycoon, but Frank sees him and captures him.

Frank does not know the harmonica-man, but the harmonica-man names people who have been murdered by Frank, like someone who has been sent to avenge their deaths. Frank doesn't see that Cheyenne is hiding under the train and leaves to find the woman. It doesn't take long before Cheyenne kills all of Frank's men, frees the harmonica-man and faces the tycoon. In the meantime, Jill found out what her dead husband did with his money: he had ordered lumber and other construction material for some major project. Nobody knows what he wanted to build, but Jill can guess: a whole town, built around a station.


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He had the vision for a whole new town, and spent all his money to build it. That is the very reason he had bought that land in the first place: there was no other way for the railway to go.

He had guess right. He knew he would be rich. The harmonica-man guesses the same, and explains it to Cheyenne. The tycoon is now ready to pay for the land: he knows that his health does not give him much time and he is obsessed with reaching the ocean before he dies. But nothing can stop Frank. Frank kidnaps Jill. Jill knows that Frank killed her husband but lets him make love to her and enjoys it. She seems crazier about him than he about her. In fact, she looks like a nymphomaniac. Frank is seduced into marrying her and taking over her property.

A whore is a whore. At the auction of Jill's property Frank's men keep people from bidding, but the harmonica-man shows up with a gun and Cheyenne is a wanted man and the harmonica-man is paying for Jill's property with the reward. But Cheyenne is freed right away by his pals. Frank confronts the harmonica-man in the saloon, but he still refuses to tell him his name: he keeps listing names of people murdered by Frank his consciousness? Frank offers him one dollar for Jill's property.

His men have surrounded the saloon, but they are not after the harmonica-man: they have been paid by the tycoon to kill Frank. The harmonica-man saves his life: together they kill all of them. Then the harmonica-man lets Frank go. Was it the ultimate gift of Monti to the country? Moreover, Monti does not leave exactly as he had come: with an autonomous and independent flick agreed in the secret chambers of King George: Monti came without a public mandate, and he leaves without a democratic mistrust vote.

Now democracy can do it alone. Then capital left some emerging markets. The European economies including Germany showed very weak or negative growth. Funds came back to the United States and found their way into the perceived undervalued American real estate market. The US housing crisis seems to find an end.

The fear of a global recession scenario has finished. Italian spreads against German Bunds are relatively small. E mentre Putin fa riassettare in fretta e furia il lettone, che giaceva impolverato dopo le ultime performance con Ruby, le borse contrattaccano prendendo di mira le aziende del Cavaliere, la Merkel chiama Sarkozy e si fa qualche risatina al telefono, seduta sul culone, e la magistratura spulcia il codice penale per vedere se avanza qualche nuovo capo di imputazione da consegnare a Ghedini e alla stampa, meglio se a pochi giorni dal voto.

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