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By Dylan Krieger. By Emily Fridlund. By Kamila Shamsie. By Ottessa Moshfegh. By David Grossman. Translated by Jessica Cohen. By Elif Batuman. By Dan Chaon. By Margaret Wilkerson Sexton. This assured first novel shines an unflinching, compassionate light on three generations of a black family in New Orleans. By Andrew Sean Greer. By George Saunders. In this Man Booker Prize-winning first novel by a master of the short story, Abraham Lincoln visits the grave of his son Willie in , and is surrounded by ghosts in purgatory.

By Jennifer Egan. By John Banville.

House of Skin: Prize-Winning Stories by Kiana Davenport

By Gabriel Tallent. The heroine of this debut novel is Turtle, a year-old who grows up feral in the forests and hills of Northern California. By Danzy Senna. By Alice McDermott. By Min Jin Lee. This stunning novel chronicling four generations of an ethnic Korean family in Japan is about outsiders and much more. By Naomi Alderman. In this fierce and unsettling novel, the ability to generate a dangerous electrical force from their bodies lets women take control, resulting in a vast, systemic upheaval of gender dynamics across the globe.

By Viet Thanh Nguyen. This superb collection of stories concerns men and women displaced from wartime Saigon and mostly settled in California. By Aravind Adiga. It revolves around two teenage brothers groomed by their father to be cricket stars. By Katie Kitamura.

Deceptions pile on deceptions in this coolly unsettling postmodern mystery, in which a British woman travels to a Greek fishing village to search for her estranged husband, who has disappeared. By Jesmyn Ward. By Hideo Yokoyama. Translated by Jonathan Lloyd-Davies. By Ayobami Adebayo. This debut novel is a portrait of a marriage in Nigeria beginning in the politically tumultous s.

Jemisin won a Hugo Award for each of the first two novels in her Broken Earth trilogy. In the extraordinary conclusion, a mother and daughter do geologic battle for the fate of the earth. By Domenico Starnone. Translated by Jhumpa Lahiri. The husband of the woman who has been identified as Elena Ferrante offers a powerful novel about a fraying marriage. By Rachel Cusk. In the second novel of a planned trilogy, Cusk continues the story of Faye, a writer and teacher who is recently divorced and semi-broke.

By Ayelet Gundar-Goshen. Translated by Sondra Silverston. An Israeli doctor in the Negev accidentally hits an Eritrean immigrant, then drives off. By Layli Long Soldier. Long Soldier, a member of the Oglala Sioux tribe, troubles our consideration of the language we use to carry our personal and national narratives in this moving debut poetry collection. By Hari Kunzru. By Matthew Klam. Illustrated by John Cuneo.

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The protagonist of this novel, a middle-aged illustrator, is a conflicted adulterer. Klam agilely balances an existentially tragic story line with morbid humor and self-assured prose. By Pankaj Mishra. By Monica Hesse. Hesse tells the story of 67 fires set in Virginia during a five-month arson spree, beginning in , and the mystery of why a local auto mechanic was behind them. By Elena Passarello. Passarello presents biographies of famous animals, from an ancient mummified mammoth to Mr. Lightweight fast-rinse conditioners We think conditioners take too long to rinse out and can be heavy, so we invented fast-rinse conditioner technology.

It gives you superior conditioning without weighing your hair down, and can help you save some water! So be mindful, go easy on the tap, and do your part for the planet. Uncompromised beauty for your skin and hair Our collections are infused with natural ingredients like organic coconut oil and murumuru butter. We are committed to sourcing high quality ingredients but responsibly. We also make our products vegan and never test on animals. We skip the silicones, parabens and dyes too. The Lipstick Tree is a rather wonderful story about a young woman living i I've had an odd reaction to this collection twice now.

The Lipstick Tree is a rather wonderful story about a young woman living in a 'primitive' tribe in Papua New Guinea. We see the contrast between her life there and the modern world, as she makes the decision whether to leave, knowing that if she does she will never be accepted back. The third story, basically about opium addiction, bores me. The fourth story sets out to shock from the beginning I then keep the book on my Kindle for a couple of weeks, before deciding I don't want to go on with it So again I'm stopping midway, having mostly enjoyed the bit I read, and may come back one day and read the rest.

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Or I may not Mar 26, Paola rated it really liked it. Copy of my review on Amazon. So I did. I love viral campaigns. I am not normally a fan of short-stories, in fact, I actively avoid them, even when they are authored by my favourite writers. This is what happens when you tend to stick to reading the same genres and the same authors all the time: you are just not exposed to other backgrounds and cultures.

I absolutely loved that story and I could have read an entire novel on that character. I loved the way in which the story is told, as if describing a photo album. I found that incredibly evocative and I am sure it would make a great film, in the right hands. The sadness is universal. The beauty of the islands is universal. The ugliness of a destroyed natural environment is universal.

These stories are not the kind of reading you can binge on. I found myself reading one over a lunch break, and then feeling rather stunned and sometimes almost nauseated. With a couple of them, I had to leave it a few days before I could go back and read the next. Mar 27, Stacey rated it really liked it Shelves: anthology-or-collection , my-library-ebook , books-by-women , my-review-or-notes.

I picked up this anthology ebook on a whim, after reading a promotional blogpost. It's definitely outside my normal reading picks, but it was worth my time. Auntie talks good story. Davenport weaves wonderful imagery into these tales of love, despair, and decay. In reading, I wondered repeatedly how each st I picked up this anthology ebook on a whim, after reading a promotional blogpost.

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In reading, I wondered repeatedly how each story would do as a podcast or audiobook. My opinion is that, given the right narrator match, they would be even more emotional and impactful than the written version. I could hear her storyteller's voice in my mind as I read. I couldn't help but wonder if these were stories from her imagination, or if she was relating real happenings.

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I had to read in small doses. But I also had to read. View 1 comment. Sep 29, Caught Between Pages rated it really liked it. Mar 08, Violetta Vane rated it it was amazing Shelves: multicultural-or-interracial. The writing shines. It's absolutely gorgeous, brilliant, even blinding.

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It's clean and to the point, even spare, and then there'll be a bit of figurative language that absolutely kills. It would punch me in the gut and I'd have to take a deep breath. Here are some examples. Sexual obsession: She suddenly smiled. We lay on our sides puffing and someone moaned above us in a The writing shines.

We lay on our sides puffing and someone moaned above us in a dream. Soon the gum had burned away and Wu blew out the lamps. The sweet smoke clotted my lungs and I wanted to be sick. I tried to say this. To open my eyes. But I was massively adrift. Somewhere in the Gobi, a Mongol milked a singing horse. Caravans approached. Someone quietly removed my skin. Setting the place: We came from the rough tribes of Waianae, wild west coast of the island. Here, native clans spawned outcasts and felons, yet our towns had names like lullabyes.

In Nanakuli, a valley slung like a hammock between mountain and sea, I was born in a house known for its damaged men. Most of these stories are told in the style of a very lucid dream; we as readers dip in and out of the narrators' minds. The use of omniscient POV is masterful. We'll get the sociohistorical information we need in a way that poetically enriches the story. She does in such a way that even dictionary definitions sound like a song. The author is most familiar with Hawaii, obviously, but I think it's awesome that she's stretching geographically in this book, all across the Pacific, to places and cultures that are astonishingly diverse.

People who live in grass huts and sleep with piglets have complicated stories just like the people who drive Lamborghinis. A lot of these stories are cruel, especially men being cruel to women or women being cruel to themselves, but they're all joyful in the way that they're told, if that makes any sense. Sometimes I felt like I was reading a style halfway between pulp and high literature, lurid and remote all at the same time.

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The treatment of race and cultural hybridity is also incredibly rich, and from my perspective, spot-on. Like I felt this was speaking directly to me at several points. In terms of the individual stories—I loved all of them. The only critical thing I can say about this collection is that the ebook formatting is terrible. Not to the point of being unreadable, but there are still many errors such as weirdly hyphenated words. Hopefully it will be rereleased eventually with cleaner formatting. I'm on to Cannibal Nights now. This book was incredible and I recommend it to anyone who loves beautiful writing.

Aug 25, Laura Zimmerman rated it really liked it. I'm typically not a short-story reader but after reading the reviews for this collection of stories, I was intrigued. The author's style is different from what I'm accustomed to reading so I found myself having to pay more attention than usual. Her imagery included descriptions not commonly found in American stories at least in my experience : lush, lyrical, tropical, and sometimes tribal imagery that conjured customs and cultures from a time long past.

Each of the stories is dark in its own wa I'm typically not a short-story reader but after reading the reviews for this collection of stories, I was intrigued. Each of the stories is dark in its own way; each story explores themes of ancient cultures and practices carried into present time and causes the reader to consider where they came from, how far they have diverged from their original family or culture, and whether they should return to their roots.

I felt a little off-center after reading each story because they made me think about where we come from, where we are headed, and whether it's preferable to lose the old ways or to hold onto them. Despite the dark themes presented in the stories addiction, racism, violence, etc. I rarely say this but I plan to re-read these stories and I'm certain that I will pull more from them as I read them a second time.

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Sep 29, Kathleen Valentine rated it it was amazing. These are some of the most astonishing stories I've ever read. Kiana Davenport writes tight, clean, gorgeous prose that is beautifully descriptive without being wordy. Her characters are developed with precision and breath-taking honesty, rare in short stories. These stories, all of which take place on South Pacific islands, including Fiji, Pentecost Island, Nauru and Hawaii are both beautiful and brutal -- and painfully honest about the lives of the women who fill them. The title story, House of These are some of the most astonishing stories I've ever read.

The title story, House of Skin, is unforgettable and the final scene will haunt me for years.