Narrative Dynamics

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A Critical Assessment

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Find in a library : Narrative dynamics : essays on time, plot, closure, and frames

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Narrative Dynamics, Perspective-Taking, and Engagement

Preview this item Preview this item. The text is designed as a basic reader for graduate courses in narrative and critical theory across disciplines including literature, drama and theatre, and film. Narrative Dynamics includes such classic exponents as E. Forster on story and plot; Vladimir Propp on the structure of the folktale; R. Crane on plot; Boris Tomashevsky on story, plot, and, motif; M. Bakhtin on the chronotope; and Gerard Genette on narrative time. Richardson highlights essential feminist essays by Nancy K.

Miller on plot and plausibility, Rachel Blau Duplessis on closure, and Susan Winnett on narrative and desire.


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These are complimented by newer pieces by Susan Stanford Friedman on spatialization and Robyn Warhol on serial fiction. Miller on closure, James Phelan on progression, and Jacques Derrida on the frame.


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Recent essays from the perspective of cultural studies, postmodernism, and artificial intelligence bring this collection right up to the present. Read more Find a copy online Links to this item Table of contents Table of contents Table of contents. Allow this favorite library to be seen by others Keep this favorite library private.

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Find a copy in the library Finding libraries that hold this item Miller on plot and plausibility, Rachel Blau Duplessis on closure, and Susan Winnett on narrative and desire. These are complimented by newer pieces by Susan Stanford Friedman on spatialization and Robyn Warhol on serial fiction. Miller on closure, James Phelan on progression, and Jacques Derrida on the frame. Recent essays from the perspective of cultural studies, postmodernism, and artificial intelligence bring this collection right up to the present.

Plots and Plausibilities in Womens Fiction. Narrative Desire.


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Text Generation. The Sense of a Beginning.

Gaël McGill: Visualizing Protein Dynamics

Endings and Contradictions. Reading Beginnings and Endings. Aesthetic Closure and Social Crisis. Narrative Levels and Embedded Narrative. The Historical Text as Literary Artifact. Narrative Progression.



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