The Passion of Meter: A Study of Wordsworth?s Metrical Art: Study of Wordsmiths Metrical Art

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Wordsmith does vindicate his theory in some of his poems at least, where he employs a stratum of words which would not between prose and poetry is getting less and less. Q: 2 What are some of the characteristics of the poet? What is his relationship to his own passions and violations, what is relationship between his feelings and the goings on the universe? What is Poet? Answer: He is a man speaking to men, a man it is true, endowed with more lively sensibility, ore enthusiasm and tenderness, who has a greater knowledge of human nature and more comprehensive soul, than are supposed to be common among mankind, a man pleased with his own passions and violations and who rejoices more than other men in the spirit of life that is in him, delighting to contemplate similar passions as manifested in the goings of on of the universe and habitually impelled to create them where he does not find them.

Poet is who describes and imitate passions; his employment is in some degree mechanical compared with the freedom and power of real and substantial action and sufferings. He will depend this for removing that wood otherwise be painful and disgusting in the passion. He will feel there is no necessity to trick out or to elevate mature like other poet who elevate so much unnecessarily.

Poet applies this Principle the deeper will be his faith that no words, which his fancy or imagination an suggest, will be fit to be compared with those which are the emanations of reality and truth. Poet is different from other man by a greater promptness to think and feel without immediate external excitement and greater power in expressing such thoughts and feelings as are produces in him in that manner.

He is the rock defense for human nature, and upholder and preserver, carrying every where with him relationship and love. The poet singing a song in which all humane beings Join with him. But those passions and feelings are the general passions and thoughts and feelings of man. He will follow where so ever he can find an atmosphere of sensation in which to move his wings. The image under what restrictions a poet writs and what sort of information he expects his readers to posses? Answer: Wordsmith theory of poetry and his conception of the function of the poet id contains in the Preface to Lyrical Ballad of In his theory of poetry, he has set down the origin, nature and purpose of poetry.

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Following is the famous theory of poetry propounded by Wordsmith. L have said that poetry is the spontaneous over flow of powerful feelings: it takes its origin from emotions recollected in tranquility; the emotion is contemplated till, by a species of reaction, the tranquility disappears and emotion , kindred to that which was before the subject of contemplation is gradually produced and does it self actually exist in the mind. The sequence of events describe in the preface for the production of poetry seems to go some thing like this; I A notable experience; it Deep and long contemplation; iii A period of tranquility; v Sudden over flow of powerful feelings as the notable experience is recollected; v Pleasure in the poet; vi Pleasurable emotion as the experience is recaptured and recreated; vii Shaping of the poem hardly touched on in the preface, except as a transition in the pleasure of the poet; viii Pleasure for the deader, who enjoys the original experience in his experience of the created poem.

The poet does not react to an impression immediately.

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He allows his sense impression of object perceived by him to sink into his mind along with the feelings which it has excited. Poetry is the matter of feeling and mood. It flows from the internal feelings of the poet. When the poetic mood is on the poet, he sings out rapture or sorrow spontaneously from the core of his heart. In such moments, his language of discourse becomes the language of poetical inspiration. Thus according to him deep emotion is the fundamental condition of the poetry. Wordsmith explains the role of calm thinking and deliberate contemplation in the composition of poetry.

In this mood successful composition generally begins and in a mood similar to this it is carried on. The process of poetic composition is not an easy one. Wordsmith felt strongly that there was no worthy pursued but the idea of doing some go or the world. He hoped that his pomes would operate in their degree to extent the domain of sensibility for the delight, the owner, and the benefit of human nature. Poetry impart moral lesson for the betterment of human life.

Wordsmith precise and emphatic in stating that pleasure is the end of poetry. To conclude, Wordsmith follows his theory of poetry in practice. He hardly made present Joy attar of a song. He would not give poetic expression to an experience immediately but would carry the impression in his heart. After a long interval that experience will have poetic expression.

He had a very sharp memory, and sometimes he would recall an impression and revive it. These poems are generally into past tense which signifies that the poet is recollecting impressions received in the past. Wordsmith theory of language of poetry and Coleridge criticism on It, is of great significance In the history of literary criticism. Wordsmith revolts against the poetic diction of eighteenth century. HIS theory has some merits and at the same time has certain demerits.

Rejection of Poetic Diction and Background of his theory Wordsmith rejects poetic diction by saying, "avoid poetic diction". He says that neither there Is nor could be any deference in the language of prose and that of metrical composition. Previous critics like DRP. Johnson were of the opinion that a noble and graceful action Is degraded when Diction Sentence Examples Diction of classical figuration.

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This helps to Improve diction, organize what they want to say and focus on the mall points of interest. Poetic diction describes the range of language used in poems. The decision to use an archaic diction might thus be thought a central part of spender's particularly protestant poetics. The choir had very good diction, which enabled the audience to hear Nancy bush's words clearly.

Clear diction, onto ' posh voice , was what was Poet's Use of Mockery As Diction in PoemTom DinkelThe poet's use of mockery as diction conveys his disillusioned attitudetoward the men that plan the battles without actually fighting in them. Usingthe words If I were fierce, and bald, and short of breath, to describe themajors allows the reader to picture the majors as old, fat, out of shape menthat spend their days guzzling and gulping in the best hotel safe from anydanger.

Fierce, bald and short of breath give the reader a negative feel forthe majors as they are not described in any positive manner. These terms causethe reader to Arnold delves Into the World's history, ending on a note that the world is full of pain, fear and violence. Man and the Natural World, life, consciousness and existence, allusions to Sophocles. Elliot 2. Modern 3. Free verse 4. Elliot expresses his lose In hope, religion and love within the scarecrows stuck in a moral paralysis. Elliot 3. Blank verse, dramatic monologue, 1 epigraph, A Manifesto, O'Hara introduces a new style of poetic writing called pepperonis.

The style defers from that of a traditional structured format. Aurora's Personal Poem serves as an example of pepperonis and Is able to put the techniques described In the manifesto Into context, which Is very helpful In giving us a better overall understanding about the movement. O'Hara created personnel after a heartbreak when he realized that he could speak with his former lover using the telephone instead of writing poems. He decided to incorporate this direct freedom of expression into his writing. Like poems that intend to have Question: Is 'La Belle Dame Sans Merci' a poem about negative female stereotypes or about poetic creation and poetic sensibility?

Typically the ballad is dramatic, condensed and impersonal: the narrator begins with the climactic episode, tells the story curtly by means of action or in this case by means of dialogue alone.

Wordsworth’s Theory of Poetic Diction Essay Example For Students - words | Artscolumbia

It is told without self reference or the expression of personal attitudes and feelings. Keats does not differ here. Ballads also employ set formulas including stock descriptive phrases like 'blood-red wine' and 'milk-white steed'. There is a refrain William Wordsworth was known as the poet of nature. He devoted his life to poetry and used his feeling for nature to express him self and how he evolved.

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Wordsworth had two simple ideas that he put into his writing of poetry. One was that poetry was the spontaneous overflow of powerful feelings. The second idea was that poets should describe simple scenes of nature in the everyday words, which in turn would create an atmosphere through the use of imagination Compton 2.

Wordsworth is deeply involved with the complexities of nature and human reaction to it. To Wordsworth nature is The story Is about a woman, who Is around 40 years old. The woman Is married and she has two kids. She Is living a very stressful life -? One day at her office she goes to an online communication website, very much like Faceable, called Friends united, to check up on her old friends, before she goes to pick up her daughter.

When she logs in, she does not Write an essay of not more than words in which you analyse the poem and comment on the poetic form and language used for example, rhyme, rhythm, metaphor, imagery, tone, word order, alliteration, point of view and the way they contribute to the meaning and effects of the poem. The purpose of this assignment is to analyse closely and examine the poem "Ode on a Grecian Urn" by John Keats.

The call for black people to engage in peaceful responses to state-sanctioned violence against black bodies is part of a broader narrative that requires black people to respond respectably to their degradation, to rise above the fray and assuage the fears of white people intimidated by, or fearful of, congregating black bodies with the collective potential for mass vengeance.

The life and work of Wanda Coleman, a black writer who expressed her anger about white supremacy and black elitism in equal measure, reflect the social risks and creative possibilities bound up in being a black woman poet who breaches African American social etiquette around anger. The dearth of Coleman scholarship is stark considering just how productive Coleman was before her passing on 22 November There are, at present, approximately six published interviews, seven book chapters or journal articles, and five bio-bibliographic book entries about Coleman.

In , Tony Magistrale opened the door for Coleman scholars with "Doing Battle with the Wolf: A Critical Introduction to Wanda Coleman's Poetry," an essay that provided precisely what scholars needed at the time: an exciting context for understanding Coleman's work that encouraged scholars to take up Coleman as the subject of their scholarship.

Followed by a paltry trickle of interviews and bio-bibliographic entries, it wasn't until a decade later, in , that Krista Comer published the first peer-reviewed essay on Coleman. Comer's "Revising Western Criticism through Wanda Coleman" presents Coleman as a western "regionalist" who challenges narrow conceptions of "spatial perspective [s] circulating in contemporary western spaces" Comer, "Revising" By the turn of the century, Tyler T.

Schmidt's essay "'Womanish and Wily': The Poetry of Wanda Coleman" , Malin Pereira's essay "Sister Seer and Scribe: Teaching Wanda Coleman's and Elizabeth Alexander's Conversations with Sylvia Plath," Ryan-Bryant's book chapter "Shape-Shifting: The Urban Geographies of Wanda Coleman's Jazz Poetry" discusses how Coleman troubles "essentialist rhetoric" of what it means to be black , what it means to be a black woman, or what it means to be a sexual being; how Coleman's work interacts with a broad range of literary "ancestors" ; and how Coleman's "jazz and blues references" contextualize Coleman's "multivolume American Sonnets and her other poetry" Ryan, Post-Jazz Unfortunately, even as a prolific sonneteer with a sonnet sequence to her name, Coleman lacks the critical attention afforded to other openly angry black poets, notably Amiri Baraka, who boasts scores of peer-reviewed essays, book chapters, and interviews dedicated to the study of his life and work.

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