TEAM for Actors: A Holistic Approach to Embodied Acting

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The concept of embodiment has been identified by Nagatomo as knowledge residing within and through the body. In the practice field, embodiment and corporeal information are central to understanding practice as a social site, where bodies are viewed as referencing the nature of practice social site , the performance of work and the demonstration of practical- reasoning and know-how.

Scott Miller

In highlighting the role of the body, Schatzki , p. The notion that the bodies are central to knowing, suggests that they are central to knowledge construction and not just an absent or silenced presence Shilling, In the following section we describe our various studies, which draw attention to the body and embodied information practices as sources of information and sites of knowledge.

For Lloyd, the corporeal modality is central to the formation of an information landscape and acts to entwine social and epistemic sites, enabling actors to become emplaced ; The concept is therefore central to understanding the enactment of information practice. Embodiment has been explored and connected to information practices and information work in research which explored how information literacy emerged in the workplace Lloyd, Embodiment was conceptualised as being in place and knowing the information landscape and how this landscape was shaped by the textual, social and corporeal modalities of the lived experience.

Emotional Body - TEAM for Actors: A Holistic Approach to Embodied Acting

As sources of information and sites of knowledge, fire fighter bodies were described as reflecting the actioned, reflective, institutional and non-normative sources of information that are inscribed on the body over time, representing both the practice and practising of work. Medical settings provide strong evidence of embodied information practices. Embodied information practices can be constructed around the performance of work or around disease.

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The importance of corporeal information and the role of embodied information practice in nurses were highlighted by Bonner and Lloyd Nurses recognised that it was not only their own bodies which acted as a source of information, but also the bodies of other nurses and of patients.

Over time and through practice, nurses began to recognise the important sensory cues about renal care that came from the bodies of patients, and they began to trust their sense of smell and touch Bonner and Lloyd, Accessing the experiential and nuanced local knowledge of others is an important aspect of connecting and developing embodied information practices in the everyday resettlement process for refugees.

Actors you don't need a theater degree!

To effectively transition and resettle requires those in transition to recognise and apply a suite of activities that will aide access to information in order to become situated and emplaced. In this context, learning to listen and observe, and developing watchfulness become critical corporeal activities that can provide opportunities to access information. The ability to recognise visual affordances is especially important to groups who have limited communication or literacy skills.

Observation provided access to tacit and contingent forms of knowledge, which were often hidden in everyday activities.

Cinema and the embodied mind: metaphor and simulation in understanding meaning in films

An everyday occurrence was knowing when to do certain routine things such as putting out the garbage. To undertake this task required local knowledge that was not easily accessed by the non-English speaking residents. This activity forms part of the everyday information practices that support the settling in of newcomers by connecting them to the everyday activities of the community. Their professional lives are based on the ability to embody their knowledge: they need to manifest their understanding in the physical world, as physical actions in physical space.

Embodiment was important not only for their sense-making as individuals but also in allowing them to act as an embodied signifier Goffman, for their audience. Several participants described how working with and being mentored by more experienced actors was central to their learning:. Field archaeology seemed a promising case study with which to challenge the conventional wisdom that academic research is a principally cerebral activity.


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She notes that her intention is to bring the healing of the most-high to those who are looking to better themselves. Jon is a writer, self-taught singer, instrumentalist, and clothing designer. He currently studies English at Rowan University, and strives to combine his passions for singing, performance, writing, and literature into a holistic career that satisfies his wandering mind and empowers other curious artists.

Team for Actors: A Holistic Approach to Embodied Acting

Jon is a student of the I Am teachings, and an avid researcher in the fields of literature, theology, archaeology and cultural anthropology. It is his goal to be a humble embodiment of artistic satisfaction, and he seeks to be a living protest to any cultural notions that subdue or discourage dreamers - young and old.


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  • Eleejah is an actor and movement practitioner. She styles herself a learner, listener, and mover, and strives to express her gratitude for life and spirit through the outlet of discovery. She has a background in Neuroscience, and is a performance and wellness consultant for YourNeuroWorld: a wellbeing and performance team. She practices the Enneagram, and notes that her spiritual influences reflect her appreciation for the world that she has seen through a life of travel. She believes her highest purpose in life is to set an example of self-reflection and overall consciousness, and that there is no limit to what one can do when the mind is willing.

    She strives to incorporate neuroscience into the world of acting and human relations in the effort to promote inner and outer respect. Dionna is a classically and contemporarily trained actor and vocalist, spoken word poet, creator of the holistic forest festivalā€”SunGround, and overall believer in goodness. She believes the most necessary kind of theater is that which strives to absorb, inspire, disrupt, challenge, and invigorate.

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    Dionna currently studies Acting at Syracuse University as an Undergrad. She has worked in several student films and productions, and contributed to pieces concerning and commenting on the black experience. With Bond's guidance, you can easily move from theoretical concepts into practical application. She illustrates the TEAM's use through true stories, practical examples, and original exercises derived from years of experimentation.

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